17 minutes
A four-channel video, four-channel audio installation on how technology has disembodied the human experience, and thus severed our relationship to the earth.
The installation constructs a digital atmosphere that raises a microscope to the processes through which nature is converted to the screen.
Screened at Harvard CAM Labs and Installed at the Carpenter Center for the Visual Arts.
8 minutes
Nature v Nurture explores the relationship between the natural and online worlds as it relates to the human experience. The piece heavily distorts video and audio using filters I coded in Max MSP Jitter.
Made as part of “Contemporary Music Production and Critique” at IRCAM (Institut de Recherche et Coordination Acoustique).
5 minutes
This video uses a less prescriptive theoretical approach to allow for the process of making and personal reflection to play a larger role in shaping the piece. The piece was made for a DVD TV screen to evoke a sculptural, nostalgic element as well as bring out the technological nature of the video aesthetically.