17 minutes
A four-channel video, four-channel audio installation on how technology has disembodied the human experience, and thus severed our relationship to the earth.
The installation constructs a digital atmosphere that raises a microscope to the processes through which nature is converted to the screen.
Screened at Harvard CAM Labs and Installed at the Carpenter Center for the Visual Arts.
Live electronics, vocal processing, and audio responsive visuals generated using Max MSP.
Pictured: performances of “Brainwave 9999” and “Black Hole.”
Work featured on Montez Press Radio “AfterSense” show March 2025.
3 minutes
What is an image fo a flame? Images from screening at Genesis Cinema March 2025 London, UK.
8 minutes
Nature v Nurture explores the relationship between the natural and online worlds as it relates to the human experience. The piece heavily distorts video and audio using filters I coded in Max MSP Jitter.
Made as part of “Contemporary Music Production and Critique” at IRCAM (Institut de Recherche et Coordination Acoustique).